Zagorath

“both sides”

One side is committing genocide.

The other side are an oppressed people fighting for their basic human rights.

Yes, there are civilian deaths on both sides, and that is lamentable. But to imply that it is anywhere near an equal conflict or that both sides are anywhere near equally to blame is completely ignorant of the facts.

In Australia we call them “seppos”. Short for “septics”, which comes via rhyming slang from “yank” -> “tank” -> “septic tank”.

I never actually put any serious effort into using MuseScore myself before the changes, so I can’t comment from extensive personal experience.

But as a musician, I did use scores written by someone in MuseScore, as well as ones written in Sibelius. And I could always tell when it was MuseScore. I’m sure it was possible to write good looking scores in MuseScore 2, but it clearly did not make it easy. The scores were obviously inferior in terms of layout and design compared to those produced in Sibelius. Basic things like spaces between notes not being the right proportion, or dynamic markings appearing as plain italic text instead of the usual bold dynamics would be wrong in MuseScore far more often than in Sibelius.

As a general rule, a good UX should:

1. Make it very, very easy to do (or discover how to do) the most common basic things, and should result in them being done in the way a user expects
2. Not slow down a power user from accomplishing basic tasks at speed
3. Allow easy discovery of and access to less common tasks

A lot of designed-by-software-engineer FOSS applications do a good job of 2 and an ok job of 3, but fail at 1.

Interesting. That would make his survey of rather limited value, in my opinion, because just by doing notes (including rests), durations (just from semiquaver to semibreve, including tie and dot), and accidentals, you get 18, right off the bat. Considering the ranges offered in the poll he made were 1–5, 5–10, 10–20, and 20+ (never mind the overlap if you happened to use exactly 5 or 10…), that makes it very hard for anyone who types their note input instead of hunting around slowly with the mouse to get into anything other than the top bucket. Especially since he quite explicitly said “including typical ones (like Ctrl+S, Ctrl+Z, etc.)”

Unfortunately Sibelius’s development has basically stagnated since 2012 when the new corporate owners fired the entire original development team, with only one noteworthy release of the core app (not counting side-projects like an iPad app) since then, in 2014.

I first learnt Sibelius on its pre-ribbon interface, which I think was much better (even though I loved the ribbon in MS Office). That certainly made the transfer to more modern versions easier. Still, although Sibelius has a number of specific hangups in its interface that make fairly common activities awkward and unintuitive, I really do think it has the best basic flow. When you’re just in the zone inputting notes, it’s so easy to use in a way MuseScore isn’t.

I actually take some issue with Tantacrul’s design process, because it feels like he fundamentally doesn’t understand how intermediate users like myself use the app. At one point he sent out a survey asking “how many keyboard shortcuts do you use?” in Sibelius/MuseScore etc. The problem was that he didn’t define what a keyboard shortcuts is, and when people asked for his definition, he just snarkily responded that it would be obvious. But it’s not. In Sibelius, you use your left hand on letters A–G to enter the note pitch, and your right hand on the notepad to enter rhythm values and common articulations. Slur lines and some other things can be entered during this process as well (slurs with the letter S).

Does this count as keyboard shortcuts? To me, everything I described above except maybe the slurs is actually the musical equivalent of typing text into a word processor…or a browser text box, like I’m doing right now. Does it become a “keyboard shortcut” just because it can also be done by clicking a rhythm value in a toolbar, and then clicking a location in the staff to choose pitch? I have no idea if Tantacrul thinks so, because he chose snark rather than clarifying.

Incidentally, his MuseScore design replicates this flow, but without the visual reference of the keypad toolbar that lets you learn and easily see what number to press, without requiring sheer memorisation. It’s been a while since I last tried it, but I vaguely recall having other issues with the flow being hard to work out with a keyboard. Great if you’re just slowly mousing around everywhere, but not for the intermediate user trying to get in the zone.

Which is such a shame, because he did such a fantastic job of the other stuff. The user onboarding, score setup, page layout management, etc. The attention to detail even with small things like music fonts and symbol design is impeccable.

That whole series is absolutely brilliant, but it’s hard to go past the Sibelius one if I’m gonna go back to one. And I say that as a long-time Sibelius user who can comfortably work much faster in it than in any of the alternatives.

The open source music notation software MuseScore used to be really, really bad. A musician and UX designer gave it a scathing review in a humorous YouTube video. And then the company behind MuseScore hired that YouTuber and spent a lot of effort doing a major redesign, and now it’s actually quite good.

All it takes is for the people in charge of the project to put aside their hubris and trust that sometimes, programmers aren’t the best designers, and to get people who are trained in designing and evaluating user interfaces to do the job. And to perform adequate user testing.

This is ridiculous. There’s no way a client calls a dolly a “pan”.

That’s obviously zooming.

Read as in, with their eyes? Or how to ingest it into some other app/script? Cos I’m vaguely aware that awk can be used in some way for this, but wouldn’t have a clue how.

And I hope youhave learned to sanitize your inputs not fucking use generative AI for grading

Ftfy

Safe, sure. Efficient? Not even close.

It’s far, far more expensive than renewable energy. It also takes far, far longer to build a plant. Too long to meet 2030 targets even if you started building today. And in most western democracies you wouldn’t even be able to get anything done by 2040 if you also add in political processes, consultation, and design of the plant.

There’s a reason the current biggest proponents of nuclear energy are people and parties who previously were open climate change deniers. Deciding to go to nuclear will give fossil fuel companies maximum time to keep doing their thing. Companies which made their existence on the back of fossil fuels, like mining companies and plant operators also love it, because it doesn’t require much of a change from their current business model.